Night Signals

Night Signals captures the fragile boundary between childhood imagination and primal fear, where the familiar refuge of a basement becomes something far less certain. Set against the flickering afterglow of late-night television, this piece follows a young boy’s urgent ascent from darkness, chased not by something seen, but something deeply felt. The cellar transforms into a liminal space where time stalls, breath tightens, and fear presses close enough to feel on the back of the neck. In this suspended moment between sleep and waking, escape is not just physical, but psychological. A meditation on memory, fear, and the dreamlike loops that shape our earliest encounters with the unknown.

Depth of Field

In the quiet glow of a basement in March 1982, the waiting finally pays off. The signal has been tuned, the record has been chosen, and now the image returns, developed and real. This piece closes the analog loop, where patience is not just endured but understood. In a world that moved at the speed of process, meaning had time to form, settle, and reveal itself.

33 and a Third

A snow day, a basement, and a turntable spinning time itself. Before everything was instant, there was a rhythm to waiting. Records played start to finish, stories unfolded one track at a time, and imagination filled the space in between. This piece explores the quiet ritual of vinyl, where a boy begins to choose his own signal, shaping not just what he hears, but who he becomes.

Channel 3

A quiet Saturday morning in the early 1980s. Three channels, a Zenith television, and the ritual of cartoons and commercials that defined a generation. In this moment, the boy isn’t just watching the show. He’s watching himself on Channel 3, frozen in black and white on the screen. A fleeting broadcast becomes a memory that outlasts the signal, a reminder of when the world arrived through antennas and imagination did the rest.